This construction method is unchanged in today's Thunderbird IVs. It had a long (34 1/2') scale, and unlike previous Gibson basses, pickups situated way back from the neck, for extra tonal brightness and clarity. The mahogany wings were glued on using a V-shaped notch and groove arrangement. Gibson Thunderbird IV 1963 Gibson promotional sheet Like the Thunderbird II, the Thunderbird IV was part of Gibsons answer to Fenders bass models. It is a technique still widely used today on higher end guitars and basses most notably Rickenbacker and B.C. Having the entire length of the strings vibrating on one piece of wood increases sustain, and has added strength for long necks. The central wood was raised slightly and accommodated tuners, pickups, bridge and the tailpiece. Gibsons Take: Ever since it was first released back in 1965, the Non-Reverse Thunderbird has been THE choice for forward-looking bassists who want to make. This contrasted the separate neck and body approach of most guitar makers who normally glued (Gibson) or bolted (Fender) the neck to the body. This idea had first been used on an electric bass six years earlier by Rickenbacker (the 4000 bass), and consisted of one central piece (or laminate) of wood spanning the entire length of the instrument, and 'wings' glued to the sides to make the body. Ive done some light reading into the history of the Gibson Thunderbird, and it seems that their quality control has gone out the window as of late. 1981 Victory Standard (Candy Apple Red)Īswell as being Gibson's first long scale bass, it had their first fully-adjustable bass bridge, and was the first Gibson bass to utilize neck-through construction. STARR GUITAR replacement electronics for Gibson Thunderbird 3 control Bass, PRO edition Included in each SGS PRO Thunderbird Bass Harness:2) CTS 500K.
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